Perhaps no shoe holds as much fascination for the general public as the pointe shoe. While few people will wear them because of the strength and special training required, many will admire them. But the pointe shoe as we know it today was not always the dominant symbol of ballet. Early ballet, in fact, did not even include female dancers, and when they were first introduced in the late 17th century, they wore not pointe shoes on stage but high heels, which were reflective of the court shoes of the time.
Women's ballet shoes largely lost their heels at the turn of the 19th century (although heeled ballet shoes exist to this day as "character shoes" for certain types of roles and dances). Dancers had the freedom to fully pointe and flex their feet thanks to ballet slippers, but early pointe work from this period was done with the aid of stage machines that hoisted dancers into the air on wires. As pointe work began to develop, dancers had to rely on soft shoes made of layers of leather and fabric and were limited in the range and length of work that could be performed en pointe.
As pointe shoes developed, a range of materials were employed to create the hard platforms and supportive soles that allowed dancers to stand on their toes. These have included wood, which is still often used in the shanks of the shoes that support the arch, steel (which went out of fashion with the rationing of the WWII era) and today's most common materials -- layers of burlap and glue.
While pointe shoes, unlike ballet slippers, are not to be experimented with by untrained dancers, the beauty of this specialty shoe can be seen reflected in many shoe trends, including ankle ribbons and narrow, square toes on shoes of all heel heights that hug the foot. These pointe shoe-influenced designs have appeared on many celebrities including Bjork and Lara Flynn Boyle, although regrettably often paired with dresses that were fashion "don'ts."